Voice Box

Applause!

  • "I came with no expectations and even less experience of specifically working on my voice.  What a relevation a perfect... Read more
  • "I have never learned so much in one week before! About myself, about my voice, about the magic of words... Read more
  • "I had an 'inkling in my gut' to come here. Like an odyssey. And that inkling turned out to be... Read more
  • "...a wonderful artistic voice centre!...a supportive and inspiring environment...Kristin - you have nurtuted and challenged me. Rena- fantastic food!!...such care... Read more
  • "I have loved the journey to Orkney, and travelling the distance has opened up possibilities for an inner journey.  Nothing... Read more
  • "In just four days I have changed shape, inside and out.  My voice feels and sounds stronger and more me,... Read more
  • "I'm nearly 50 now, have been a professional voice-over artist for more than 20 years and have enjoyed significant success,... Read more
  • "I have learned I can work in a group of thirteen people and like all of them! - C.H.... Read more
  • "I have loved the experience of becoming more connected with my body, my breath, my self.  I know I will... Read more
  • "I have had a wonderful time on this course - Kristin is a ninja of voice...C.M.... Read more
  • "Just great. Exploration, discovery, fun; made me feel so welcome by everyone;stretched in every way - I can't wait to... Read more
  • "Such a wonderful week of vocal discovery, body awareness, breath galore and great company - the joy, the laughter, the... Read more
  • "Well, what an experience! Never to be forgotten.  It was an honour and a pleasure to experience the Introductory Voice... Read more
  • "It's my first time in this Scottish land and the first time I spoke Shakespeare in English - my favourite... Read more
  • "Thank you so much, Kristin. I have a new relationship with myself: with my sacrum, vertebrae, whole spine: my breath!... Read more
  • "Now winter nights enlarge... come and work with Kristin on Shakespeare's Sonnet, Speeches and Scenes and your nights will be... Read more
  • "I got drunk on the words.  I ate them.  I felt them fill my belly and nourish my body.  Thank... Read more
  • "This Shakespeare week was magical.  Thank you from the bottom of heart, from my spine, nervous system and brain for... Read more
  • "The studio is beautiful - loved doing warm-ups and sonnets in the face of nature, the angry skies, the pounding... Read more
  • "You have had a profound impact of my work as a teacher and director, and on my relationship to language... Read more
  • "This has been a 25-year journey to Shakespeare.  It was everything I could have hoped for - and more. To... Read more
  • "Being in Orkney adds such a special flavour - re-connected me to the nature that's so alive in Shakespeare's plays.... Read more
  • "This week was most needed as I prepare to audition for Graduate programs in the USA.  My classmates were amazingly... Read more
  • "Dear Kristin, Thank you for sharing your passion and reinvigorating our craft.  Your tenacity and vigor has transformed our practice... Read more
  • " You and your work has given me a language and a confidence to trust my perception, my impulses, my self... Read more
  • " I go through the warm up before rehearsing and performing,I use 'Devices' for text work to approach new text -... Read more
  • "The great irony is that I have found my voice ... and can't find the words to voice a response.... Read more

    The Frances West Memorial Travel Fund

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    "So to honor my memory they'd put together a collection..."

    The Kristin Linklater Voice Centre is setting up a fund to honor the memory of Frances West.

    The initiative for the fund came from Frances' fellow DLTs, Class of 1993, and several of Frances’ friends and family members have pledged contributions to a fund that will offer modest subsidies for travel for those applicants who want very much to come to Orkney for a workshop but find the travel costs daunting. We feel this kind of helping hand would have appealed to Frances.

    She was the soul of generosity and was an inspiration to many of us and to her students.

    Slide 1
    I can recall the time... the very hour... of the very day...
    when I knew words would be my life's work.

    Kristin speaks about Frances:

    Frances died of cancer in 2000 at the age of 61. She had been a beloved friend to many, she was a wonderful mother and a superlative actress. She was well-known and much admired on the Boston stage, and she acted with Shakespeare & Company and The Company of Women, my all-female Shakespeare company. She had an inimitable depth of presence on stage and, having been diagnosed with terminal cancer, with huge courage, she played the leading character dying of cancer in the play Wit.

    Frances was English but, like me, had followed her heart to the USA and lived there most of her life. I have found a copy of the tribute I wrote for Frances’ memorial on January 15th 2000 and want to make a more permanent record here of the love I expressed then for Frances:

    Slide 2
    You cannot imagine...how time can be so still
    It hangs
    It weighs
    And yet there is so little of it
    It goes so slowly.
    And yet is is so scarce.

    I met Frances when she was 19 and I was 21. We met at LAMDA. She was a black-haired, striking, sophisticated, talented young student. I was a brown-haired, be-spectacled, neophyte teacher. We met again joyously in Boston in 1989. We were both grey-haired and she was, as ever, sophisticated and beautiful and I loved her both for the link she made to a time lost in the fog of memory and for the light she shed on the present moment. I asked her what I was like in those early LAMDA days and she said I was shy; this was odd because I remember being tough and bossy. Frances always saw what was going on beneath the surface of things. Her insights kept me from a thousand idiocies as we worked together.

    I was exhilarated when Frances said she wanted to train to be a voice teacher. Iris Warren had been her teacher at LAMDA. Frances was a kind of living archive of the origins of my work. She was a wonderful teacher. 

    Slide 3
    Nothing but a breath, a comma...separates life from life everlasting.

    I wish Frances could be here to see what we have built in Orkney at the Voice Centre. I wish she were here to be my wise friend still. She would have reveled in the opportunities we offer to young, not-so-young and definitely older aspirants to the art of voice, and I would have loved to introduce her to the unique attractions of Orkney.

    The Frances West Memorial Travel Fund currently stands at £500. Once the fund reaches £1000 we shall be in a position to offer modest travel subsidies of up to £250 per person. I hope that contributions will then be ongoing as more and more people experience KLVC and wish to express their gratitude with a donation to the Frances West Memorial Travel Fund.

    Slide 4
    ...death is no longer something...to act out on a stage
    with exclamation marks. It is a comma. A pause.

    If you knew Frances and would like to help honor her memory in this very practical way please help us reach our current target and maintain this initiative by placing a donation of any amount here.

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    For applicants: Do not apply now - once we reach our first target we will announce the lottery open on our website and social media.

    Kristin Linklater

    Slide 5
    Heavens appoint my pilgrimage's last mile.

    Quoted from the Boston Globe coverage of Frances’ memorial - January 15, 2000:

    ‘As an award-winning actress and teacher, Ms. West was a vital force in Massachusetts theatre for four decades. Born in England, she graduated from the London Academy of Music and Dramatic Art (LAMDA), and moved to America when she was 20. She became a member of the Repertory Boston company that presented a four-play season at the Wilbur Theatre in 1959, and made her debut here as Cecily in The Importance of Being Earnest.

    She went on to give superlative performances in roles that ranged from classical (Volumnia in Coriolanus, Hermione in The Winter's Tale, Vittoria in The White Devil) to modern (Jane in Michael Frayn's Benefactors, Muriel in Alan Bennett's Talking Heads, Sheila in Sir Alan Ayckbourn's Relatively Speaking). Most of her work was in the Boston area and, in recent years, with Shakespeare & Company in the Berkshires.

    [After personal tributes…]

    Paula Langton read a self-appraisal that Ms. West had jotted in her diary: "I'm a thoughtful person...I mediate well...I can be funny; I cry easily...I love music; I love silence...I feel I never do enough for others...I strive to be perfect." Kerry Kaplan, Ms. West's partner of 18 years, followed with his own remarks -- both serious and humorous -- about "a remarkably elegant person." Her daughter Katherine Cabral said that her mother had aspired to be an actress even as a little girl. She voiced her pride that West had received the Charlotte Cushman Prize as "outstanding Boston actress" at the 1992 annual Elliot Norton Awards.’

    Quoted from the Boston Globe coverage of Frances’ memorial - January 15, 2000:
    And flights of angels sing thee to thy rest.

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    "So to honor my memory they put together a collection..."

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