Articles & Essays
Published in THE DRAMA REVIEW
Volume 16 Number 1 (T-53)
In October 1971, Moshe Feldenkrais came to the United States to give seminars in body training at the Esalen Institute, at Carnegie Mellon, and at the School of the Arts at New York University. The interest shown in his work by these institutions reflects an important change of emphasis in the area of movement training for actors.
The choice, put simply, is between training the body to perform skillfully as a well-exercised, aesthetically pleasing physical instrument, and freeing the body of its habitual tensions programmed patterns of behavior, so that it can respond uninhibitedly to impulse, and genuinely reflect individual imagination and emotion.